Thirty2 Degrees

Edson Silva I do not know this occurs with all, but it has music it makes that me to travel carries, me to the scene from it, as cinema magic, I know there! One of these musics is ‘ ‘ Knights of the Cu’ ‘ or ‘ ‘ Crescente’ ‘ , magnificently interpreted for the Milton Birth (as if this it was some newness) in the Show ‘ ‘ Tambores de Minas’ ‘ , of 2003. The composition is old (of 1948) of the American north Stan Jones and has doubt if the version for the Portuguese is of Haroldo Barbosa or Carlos Gonzaga, sang that it in years 60, times of the Young Guard of the king Roberto Carlos. Milton also recorded, finds that in 70 years e, as said, it made pretty rerecording in the DVD ‘ ‘ Tambores de Minas’ ‘ In general lines, music speaks of a cattle tender of Arizona, beberro and of rowdy behavior, that ran in its horse in the night of the hinterland and if it sees surprised with a flash in the sky. It was a flock of bulls, whose horseshoes provoked live coals in air. Behind the floated one they came desperate cattle tenders, crying out as wild and of so red they seemed to also burn, in that epic for beyond. Face to the desperation of the floated one if to lose, sweats drained of the eyes of the cattle tenders as if they were fire flashes. those convicted men cried the curse of living pursuing to lu a flock in the sky. Exactly thus, one of the sky knights has time to alert to the cattle tender of Arizona, saying that it moved of life while it could, seno it would also finish convicted to want to catch in fogaru the flock in the sky The alucinante touch of music and the projection of the scenes in our minds make until seeming that we hear running furiously of steps of bulls without route leaving tracks of fire and dust for air. If to repair well we can see cattle tenders of esquelticos faces colored by the vast cabeleiras of fire that, mysteriously, do not burn its hats.

and give up on the pursuit of opportunities here in Mexico. On the other hand, if this income obtained in the form of remittances comes to decrease or even missing, people see the need to do the same: migrate to obtain the shortfall in revenues. Also as previously mentioned remittances are used for basic needs, it is very rare that people arrive to save a part or to make any investment that will generate development and employment in the city or community. (The Inter-American Development Bank survey: 79% of remittances are used for current expenditure and only 1% to invest in business activities). We can conclude that at this time we are going through as a country remittances do not contribute to human development nor to the fight against poverty.

They only keep families on the same level where they were before the migration process to another country. There is a great dependence on income from remittances; This will be a challenge for Mexico in the years since the amount reached its highest point and has begun to fall. The Bank of Mexico announced that you between January and September 2009, 31 States and the Federal District recorded a contraction in the catchment of remittances, resulting in a contraction of 13.4%. Various reasons can explain that remittances will undertake: financial crisis in the United States.UU., oversupply of labor, political applied by the US Government to limit migrants and that some people have even taken the decision to bring the family had left in Mexican lands. The current situation of crisis and the disturbing trend downward of remittances, both the Government and the citizens and institutions must bet on investment projects, revival of tourism, among others that really generate economic growth and especially that raise the level of well-being of Mexicans.

Monograph presented to the Course of Letters of the University of the Region of the Campaign? University campus of So Borja (RS), as requisite partial for attainment of the Permitted degree of in Letters? Qualification in Portuguese Language, Spanish Language and Respective Literatures. People who orientates: Prof Master Zil Teixeira Delavy 2009 SUMMARY Is Borja This work intends to revisit the poets Portuguese Cames and Bocage, leaving of the premise to compare its sonetos, separating the subject Love, represented for Cames in aesthetic of the Classicismo and the controversial Passion constant subject in Bocage and gift in the Neoclssico period. Considering the distinct aesthetic centuries and Clssica and Neoclssica, similarity how much to the form of composition and how much to the naturalness is observed, in Cames and Bocage, determined of to express inherent thought and feeling, elements its poetries. Both the authors possuam the fidget for the perfect one, as well as an immense pride for its native land. In literature it could not be different, so great dexterity and ingenuity of visionaries in the art of poetar, had marked times that attended the land discoveries new, where if installed new behaviors, this, intensifying and enriching the literary production of these sonetistas. RESUMN This document tiene for objective to revisit los Portuguese poets Cames y Bocage, con there premisa of hacer joins comparacin of sus there sonetos, separating el subject Love, represented for Cames en aesthetic clasicista y el controverted constant woollen subject pasin en Bocage en el neoclsico period. Cuenta Teniendo en siglos different los y there aesthetic Clsica y Neoclsica, if observes en Cames y Bocage, given there there similitud en form of composicin as there naturalidad of expresar sentimiento el pensamiento y, los inherentes factors su poetry.

First exhibition company with presence in the social network community Cologne, March 2010. Presents itself as the first German trade fair construction company Messebau eye-catching customers, prospects, friends and co-workers now on Facebook with its own page. “This is a great platform to inform our customers and also to stay in touch through joint project,” explains one of its activities on the Web 2.0 eye-catcher CEO Patrick Esser. On its Facebook presence, eye-catching exhibition stand construction allows an exciting glimpse behind the scenes. Visitors can take part in the everyday life and life of the Cologne stand and of course learn about the various services. The acceptance of the appearance of eye-catching exhibition stand construction on Facebook can be also, that customers there even post. Eye-catching exhibition stand construction quickly learn about images of exhibition stands and other projects can be found under the menu item “Photos”.

The visitors there meet the staff. On the ‘wall’ eye-catching exhibition stand construction communicates news and the team provides insights into the respective fields of activity. So, outsiders know the company of course much faster. On the Info page all relevant information about eye-catcher can be for a quick contact of course found trade fair construction. It’s not about more transparent.

Originally wanted eye-catcher to improve trade fair construction with the Facebook presence the internal communication. The staff can check the exhibition stand construction there around the many projects by eye-catcher. Also eye-catching exhibition stand construction his side very actively use to find new staff through recommendation. Now, customers have a great benefit of the eye-catching presence on Facebook. About eye-catcher eye-catcher was Messebau in 1994 founded by Patrick Esser and belongs now to the top 50 companies in the industry. The company employs 36 people at the large exhibition venues in Cologne, Hamburg, Stuttgart and Munich. Abroad, eye-catching exhibition stand construction shows flag. Especially in Dubai, South America, Russia, and the entire Asian region has eye-catcher Trade fair construction with a team of partners to implement trade fair appearances also in foreign markets. Eye-catching offers all services around the trade fair activities of its customers from the conception of the State on the Assembly and disassembly, to the Organization of a presentation. A dedicated team of designers and architects ensures that the booths by eye-catcher become unique.

FAMILY ALENCAR the family Alencar is one of whom she gave origin to a great number of historical figures northeast, since the beginning of century XVIII. This family Alencar does not have Blazon in Portugal, therefore she has ascendants in old India, but she possesss Blazon, Shield and Weapons and some headings of nobility and War, as much in Italy how much in Spain, either even so proceeding in its last sojourn, of Alenquer, Portuguese city of the medieval period, important commercial port and of historical relief for the exit of navigators for Americas, also of the same ancestry of the founders of the city of Alenquer in the State of Par. Also blazon of weapons in Brazil does not consist shield nor, possibly, because this family did not have ancestry of nobility in Portugal nor was the service of the Portuguese cut here. It is considered that she is one of the families who immigrated on account proper, without the guardianship of the empire, therefore already possua headings of nobility in its native countries, bought lands and, therefore, not needing other passports, in this condition they are also the families Lustosa and Angelim. In consultation the Historical Research Center through the Project Immigrant, meets the Blazon of the nickname Alencar in Spain: ' ' The nickname Alencar represents the castelhanizada form of the Alenya Catalan and its variants Alanar, Alanyar and Alear, being the consonant catalane ' ' ny' ' , equivalent to Castilian. According to etimlogo and genealogista Jordi Bas and Vidal, the nickname Alencar (beyond daqui or beyond here) has a toponmica origin, derivative of the name of the place of where it lived or he was Sir the founder of the ancestry. In this in case that, this nickname if took by the place of ' ' Alenar' ' , a city of the Roselon, in the Canton de Perpinam, situated in the coastal zone next to the Lagoon to Canel between Riard and La Lagoon del Sea (the Aguja Cabdal) in the limit of this city with Los de Elna and Sant Cebri de Roselon. .

Interviews had been carried through and to the few subjects as the question of the formation of the Muselogo, the market of work and also the day the day of these professionals in determined institution (when the interviews occurred in one). By general form, it took knowledge of evolution of the profession in last the 70 years and verified that it also had enormous evolution in the concept of Museum (physical space and idea) and of its social paper, fomenting the change also in the scope of the university. In ' ' Professional formation and the Social Functions of the Museu' ' &#039 has debated the call; ' new Museologia' ' that it comes in opposing direction to everything what is imagined for ' ' museum tradicional' '. With it appears the vision of Field strong, place of ideas that distanciam the museum of the built walls surrounded that it until then. In another front it means to argue the social paper of the museum? what it also occurred in diverse countries and in Brazil.

The overcoming of the idea of that the museum represents the elitist thought, leading it the relations with a democratic society, in opposition what it occurs with the traditional museums. Toward Huges de Varine the study of the Museums &#039 must be turned; ' for the man and what he is vivo' ' (1985) and also it describes the profession of the muselogo as in &#039 searchs of one; ' belonging, of a project comum' '. In contraposition the too much international entities, that it desires disciplines to create it scientific, it desire to expand the museolgico behavior for the experiences and search, provoking the individual and collective reflection on this change. In this new source, the objects lose ' ' valores' ' before representative of the social fact and the idea of &#039 emerges; ' Museal&#039 fact; ' (the activities of the museum professionals do not restrict only to the buildings and yes in the communities and its individual representations of existence.